Fashion Museum’s tribute to Laura Ashley

Fashion Museum’s tribute to Laura Ashley

The first major retrospective celebration of the designer Laura Ashley will be held at Bath & North East Somerset Council’s Fashion Museum – with fans being asked to share their memories of the much-loved fashion label.

The Fashion Museum will showcase over 70 Laura Ashley dresses in a special summer exhibition on display from 13 July to 26 August. The display will capture the Laura Ashley look that in the 1960s and 1970s inspired a generation of women to dress as though they were the milkmaid Tess of the d’Urbervilles from Thomas Hardy’s novel, or perhaps Cathy from Emily Bronte’s Wuthering Heights.

LA_RH 3 Exhib at Fashion Museum & Bowes Museum Copyright Laura Ashley Ltd

 Exhib at Fashion Museum & Bowes Museum Copyright Laura Ashley Ltd

To coincide with the exhibition, Laura Ashley is inviting people to share their treasured photographs and memories of the designer for a competition running on its Facebookpage from early June. A selection of these will also be shared by the Fashion Museum through its Twitter feed (follow @Fashion­_Museum #LauraAshley60) and Facebookpage (search for “Fashion Museum”).

Rosemary Harden, the Manager of Bath & North East Somerset Council’s Fashion Museum, said: “We’re celebrating the vision of the romantic heroine that Laura Ashley gave to fashion in the late 1960s and 1970s. A classic example was the chaste cotton print maxi-dress in earth-hewn natural colours – whisking us away with the notion of life in a golden age; a pastoral idyll far from the mad city life.”

By the tail end of the swinging sixties the bright and shiny bubble of optimism had burst and so designers found inspiration, and comfort, in nostalgia for times gone by. There was an appetite for escapism in the general populace and a move back to nature, with top TV hits such as Upstairs Downstairs and The Good Life. The Laura Ashley look was described by The Daily Mirrors fashion editor Felicity Green on 1 January 1970 as ‘soft-core femininity’ and ‘Victorian-type demureness’.

LA_RH 4 Exhib at Fashion Museum & Bowes Museum Copyright Laura Ashley Ltd

Exhib at Fashion Museum & Bowes Museum Copyright Laura Ashley Ltd

Rosemary Harden, Fashion Museum Manager, commented: “The Fashion Museum is thrilled to be able to stage this exhibition in such a landmark year for both Laura Ashley, and for the museum. It has been exciting to work directly with the Archive team at Laura Ashley in London and mid-Wales, and an honour to have the opportunity to display a selection of their iconic dresses alongside examples from the Fashion Museum’s own collection.”

Councillor Ben Stevens (Lib-Dem, Widcombe), Cabinet Member for Sustainable Development, said: “Bath became home to one of the first Laura Ashley stores in 1971, and now the city houses one of the world’s great museum collections of historic and fashionable dress, that includes a fine collection of signature Laura Ashley dresses. Bath & North East Somerset Council is therefore proud to host this celebration at the Fashion Museum to offer a wide variety of culture and creativity to everyone.

“Ahead of the exhibition we hope that people will enjoy sharing their own Laura Ashley photos and memories – maybe they had a favourite outfit in their teenage years or they decorated their first home with Laura Ashley furnishings. We’d love to hear from them, whatever the tale may be.”

The Fashion Museum occupies the basement at The Assembly Rooms.

The Fashion Museum occupies the basement at The Assembly Rooms.

Angela Jeffery, Archivist at Laura Ashley Ltd, said: “We’re very excited to be working with the Fashion Museum on the occasion of Laura Ashley’s 60th anniversary and we can’t wait to see the end results in July and August.

“Laura Ashley: The Romantic Heroine will then travel to The Bowes Museum in County Durham for its only other UK showing. We are also delighted to be working with our colleagues in the North East at the wonderful Bowes Museum.”

The Fashion Museum has been designated as a collection of outstanding national significance, as well as being listed as one of the world’s top 10 fashion museums by the international broadcaster CNN.

The Fashion Museum, on Bennett Street, Bath, is open daily from 10.30am to 4pm (exit 5pm). It currently features the Dress of the Year and the museum’s 50th anniversary exhibition “50 Fabulous Frocks”. For more information visit www.fashionmuseum.co.uk or call 01225 477789.

Bath’s Albert Hall

Bath’s Albert Hall

Shame on you Bath if you let your last remaining gasometer disappear from the skyline without even an attempt at a fight for funding to give it a new lease of life and save for posterity – in some form – this last major symbol of Bath’s industrial past.

The four converted gasometers in Vienna.

The four converted gasometers in Vienna.

Vienna in Austria managed to find new uses for a line up of four brick-encased gasometers which were turned into apartments, offices and shopping malls.

While in Dublin – a gasometer very much like the one in Bath – was transformed into apartments with reflective glass making the whole massive structure both light and delicate.

The converted gasometer in Dublin.

The converted gasometer in Dublin.

There is an internal light well built into all the conversions illustrated here.

I still think Bath could transform its gasometer into a  much-needed Concert Hall and add something very special to the city’s bank of architectural treasures.

The internal courtyard within the converted gasometer in Dublin.

The internal courtyard within the converted gasometer in Dublin.

This is a city of curves and circles. The gasometer is an industrial version of  The Circus! It could be Bath’s Albert Hall.

Obviously no lessons have been learned. Back in 2002 in the television series l did for Carlton called Set in Stone:The building of Bath – produced and directed by Howard Perks –  l suggested the city needed an iconic building on the Western Riverside development.

Concern grows for future of the “Min”.

One of Bath’s best-loved Georgian buildings could be about to shut up shop.

With a personal view of developments, Professor George Odam, who was Patient Governor of the RNHRD for nine years until his resignation in August last year, raises his concerns for the building’s future and has his own ideas about how the Min could still play a useful role to enhance the city’s reputation as a health spa.

In 1988 there was a move to relocate The Min to the RUH site in Combe Park and the plans and rationale can be viewed at the Guildhall Archive. Merging the administration of the two hospitals makes good sense, but the identity and mission of both are very different and both need preservation so that they can continue to function. This has been achieved in many other English cities.

However, in 1988 the proposal was to sell The Min and make it into a shopping mall, with a Plan B of a hotel. Since the rebuild of Southgate, the loss of The Podium and the new hotel development in Beau Street, the most likely outcome of the sale of The Min would be a boarded up site that would deteriorate and be subject to vandalism.

But money <strong>is</strong> a central issue and a new campaign to save, recondition and modernise the interior of The Min and restore the Grade 2 exterior would have to be found. There are local, national and private funds for this sort of thing once a case has been well made, and I am certain that many patients, families and friends would wish to support such a venture.

Bath is the only significant and active European Spa City without its own Spa Hospital. In the 1960s and 70s The Min’s hydrotherapy pool was fed by the Roman Spring until the amoeba stopped it all. The conduits still lie beneath the streets.”

<strong>’DISEASED, DOUCHED AND DOCTORED’</strong>

<strong>EDITOR</strong> Professor Odam mentioned the launch of Dr Roger Roll’s new book describing the rise of mineral water as a therapy and how treatments in Rheumatology have changed. It will be launched in the Chapel at The Min on Monday, November 26th. It’s a ticket only presentation which is complemented by an exhibition of original 18th century patient records and historical medical artefacts.

<a href=”http://virtualmuseumofbath.com/virtual-museum-of-bath-2012/chapel/#main&#8221; rel=”attachment wp-att-481″><img title=”chapel” alt=”" src=”http://richardwyattblog.files.wordpress.com/2012/09/chapel.jpg?w=280&#8243; height=”168″ width=”224″ /></a> The chapel at The Min

Kate Lane and her helpers at the hospital have been putting it  together and l know she wants to develop the display further and hopefully be able to let school groups in to visit. I have asked her to do her own Virtual Museum piece on the subject in the not too distant future!

However, l have been lucky enough to have a sneak preview of some of the exhibits. I love signatures and have had the fantastic opportunity of gazing down at the names of some of the city’s historical ‘greats’ in their own hand writing – including Richard Nash, William Oliver, Ralph Allen and John Wood the Elder. Also some of the earliest patients records in very clear handwriting.

<a href=”http://virtualmuseumofbath.com/virtual-museum-of-bath-2012/ralph-allen-signature/#main&#8221; rel=”attachment wp-att-485″><img title=”ralph allen signature” alt=”" src=”http://richardwyattblog.files.wordpress.com/2012/09/ralph-allen-signature.jpg?w=280&#8243; height=”210″ width=”280″ /></a> Clearly ‘Ralph Allen’

<a href=”http://virtualmuseumofbath.com/virtual-museum-of-bath-2012/richard-nash/#main&#8221; rel=”attachment wp-att-486″><img title=”richard nash” alt=”" src=”http://richardwyattblog.files.wordpress.com/2012/09/richard-nash.jpg?w=280&#8243; height=”168″ width=”224″ /></a> Look down the list for ‘Jo Wood’

<a href=”http://virtualmuseumofbath.com/virtual-museum-of-bath-2012/patients-report/#main&#8221; rel=”attachment wp-att-483″><img title=”patients report” alt=”" src=”http://richardwyattblog.files.wordpress.com/2012/09/patients-report.jpg?w=195&#8243; height=”260″ width=”195″ /></a> Patient records from 1749!

Remember this was a hospital serving the poor of all England and many of them stayed here for many weeks. At the bottom of each entry is a clear indication of whether they had benefitted from their treatment or died!

I loved the collection of badges which had to be worn by patients to identify them as such. One entry records the fact that a patient was turned out for being caught in a local public house. Landlords could be fined for serving patients from the hospital.

<a href=”http://virtualmuseumofbath.com/virtual-museum-of-bath-2012/hospital-badges/#main&#8221; rel=”attachment wp-att-482″><img title=”hospital badges” alt=”" src=”http://richardwyattblog.files.wordpress.com/2012/09/hospital-badges.jpg?w=195&#8243; height=”260″ width=”195″ /></a> Collection of ward and patient badges

There is much here that truly deserves to be seen by a wider audience. This ancient institution – England’s first national hospital – is an important part of this city’s history.

virtualmuseumofbath.com 2012.

A flood of memories

A flood of memories

Putting Bath‘s three thermal springs to one side, the main water feature in this city is the river that runs through it. Once the Avon played a pivotal role in supplying the energy required for local industry and  it also served as a waterway to transport materials and produce in and out of this bustling community at one end of the Cotswold Hills.

The Avon flooding its water meadows

The Avon flooding its water meadows

It’s a river that behaves like any other river. It tends to flood. Something that happened  more frequently as the area to the west of Bath became industrialised and the Avon’s water meadows – its natural overflow system – was built over.

Unable to release its swollen waters as nature intended the river poured instead through streets, factories and houses.

One of the worst floods in living memory occurred in 1960 when swans were able to glide up Southgate Street towards the city centre. It was also the final nail in the coffin of Bath’s Old Bridge which was fatally damaged and replaced by the present Churchill Bridge.

A radical programme was also brought in to rebuild and reshape the weir by Pulteney Bridge to increase river flow and also dredge and insert sheet piling walls along much of the central river bank to increase the volume of flood water the Avon could carry within its natural course.

The path under the Halfpenny Bridge

The path under the Halfpenny Bridge

One more great flood was to come in 1968 and you can see to what height the river rose that year by walking or cycling along the path which runs beside the Avon and under the Halfpenny pedestrian bridge – linking Widcombe and the city centre – which is currently being refurbished.IMG_3539

On the bank-side wall is recorded the dates and levels of floodwater levels going way back into the 19th century and 1968 is duly recorded too.

Flood levels recorded on the stone

Flood levels recorded on the stone

Our attention is being turned towards the River Avon again – but this time not only to try and keep flood waters under control.

Bath is being encouraged to see the river as a social and economic asset and to embrace and regenerate all of the environment it passes through.

More flood levels recorded

More flood levels recorded

A picture of Pulteney Bridge and – in the hoped-for summer – its sparkling weir, has normally been the only time anyone actually looks at the Avon. It is time to look again.

Reflecting on its future?

Reflecting on its future?

The image is of Britain’s first open-air lido and a Georgian one to boot! It’s Cleveland Pools – opened in Bath in 1815 – within a city famous for all its waters. Will this particular piece of living, crumbling history be saved for the future?  Or be lost to the past? The Virtual Museum hopes to bring you more on the subject – soon.

A lesson in local history.

A lesson in local history.

 

 

St John's Local History Store.

St John’s Local History Store.

Hidden away inside an old school on Bath‘s Upper Bristol Road is a collection of fascinating artefacts that, hopefully, one day will form part of the permanent collection of a real Museum of Bath. It’s now known as the St Johns local history stores and sits at the junction where the main road out-of-town meets Locksbrook Road.

Judging by how empty it was of visitors, very few people may have realised its been open today to the public – until 3pm this afternoon. Those who miss it will have to wait until 12-15th of September when the stores will be one of many venues generally unseen that will be open for Heritage Days.

Model of Roman Baths complex.

Model of Roman Baths complex.

I wandered amongst wooden models of the Roman Baths and the Pump Rooms and pieces of equipment rescued from the city’s old spa water treatment centres.

Needle douche devices.

Needle douche devices.

A couple of examples of needle douche – used in treatments available from the 1870′s through to 1976 – which provided an all round shower produced from fine needle-like jets of spring water.

Also an aeration deep bath which worked like a modern jacuzzi. A series of pipes at the bottom supplied the spring water at high pressure.

Aeration bath

Aeration bath

There was a photograph of youngsters receiving spa therapy, the old Beau Street baths demolished to make way for the Thermae Spa ‘Cube’

Ewardians enjoying tea!

Ewardians enjoying tea!

and a picture of Edwardians enjoying tea in the old terrace cafe beside the Great Bath.

Silver for Roman Baths!

Silver for Roman Baths!

The Roman Baths – which is managed by Bath & North East Somerset Council – has been crowned one of the country’s best Large Visitor Attractions in the prestigious VisitEngland Awards for Excellence

Caption (left to right): Cllr Cherry Beath, Cabinet Member for Sustainable Development during 2012-13; Katie Smith, Visitor Services Manager; Stephen Clews, Manger of the Roman Baths; Lady Cobham, presenting the Silver Award; and Stephen Bird, Head of Heritage Services for Bath & North East Somerset Council.

Caption (left to right): Cllr Cherry Beath, Cabinet Member for Sustainable Development during 2012-13; Katie Smith, Visitor Services Manager; Stephen Clews, Manger of the Roman Baths; Lady Cobham, presenting the Silver Award; and Stephen Bird, Head of Heritage Services for Bath & North East Somerset Council.

Members of the Roman Baths team were officially presented with a Silver Award at the glittering awards ceremony held in Manchester last night (20

The Roman Baths.

The Roman Baths.

The Roman Baths was the only attraction in the South West to make it into the national final of the awards category for Large Visitor Attraction of the Year. It competed against the National Motor Museum at Beaulieu in Hampshire (Gold), The Cutty Sark (Bronze) and Blenheim Palace (Highly

Commenting on the finalists James Berresford, VisitEngland’s Chief Executive, said: “I would like to congratulate all those finalists in this year’s VisitEngland Awards for Excellence. We received 320 applications and the quality of submissions was higher than ever. It is therefore no small achievement for the Roman Baths to be a finalist and it can justifiably take credit and pride in earning a coveted place in the top four in its category in

Councillor Ben Stevens (Lib-Dem, Widcombe), Cabinet Member for Sustainable Development, said: “We’re delighted that the Roman Baths has been recognised with a Silver Award at the prestigious VisitEngland Awards for Excellence

“This achievement builds on the Roman Baths winning Gold in the South West Tourism Excellence Awards earlier this year and reflects the success of the team’s incredibly hard work. It shows Bath & North East Somerset Council’s continuing commitment to making this nationally important visitor attraction accessible and exciting for everyone to enjoy. I congratulate our Roman Baths team for all their dedication and devotion in going the extra mile to ensure visitors have a really enjoyable.IMG_3201

The Roman Baths made it into the national finals by achieving the highest scores in the South West awards for its “commitment to excellence in customer experience”, “sustainability” and “commitment to excellence in improvements”. The official report – based on the recommendations of the category judges and mystery shoppers – highlighted a number of positive aspects of the Roman Baths visitor experience,

  • It is an iconic building in a memorable setting.
  • Following several years of major investment, the museum and baths are very well presented and interpreted. Audio guides with a range of commentaries for different age groups, interests and languages are easy to use and informative.
  • Video presentations bring the various areas to life as they would have been in Roman times, with great effect.
  • There are regular free guided tours with knowledgeable staff; and costumed characters entertain around the main bath.
  • The new Roman Baths Kitchen café, opened in May 2012, offers a good range of food throughout the day, with good service, quality furniture and a changing menu.

For more information about Bath & North East Somerset Council’s Roman Baths visit www.romanbaths.co.uk or call 01225 477774.

Round and round the Gardens.

Round and round the Gardens.

The Mayor of Bath‘s Corps of Honorary Guides is a group of men and women who volunteer each day of the year – except Christmas Day – to give visitors to the city a two-hour tour of its main attractions.

Looking down Great Pulteney Street from the Laura Place fountain.

Looking down Great Pulteney Street from the Laura Place fountain.

Starting this week the Corps is introducing a new weekly walk for summer 2013 which will explore Great Pulteney Street and Sydney Gardens

The walks will start at 11.00 am on Thursday mornings outside the Visitor Information Centre in Abbey Chambers (not the Pump Room) and finish at the Holburne Museum.  They will take about one hour and run from 23 May to 26 September which coincides with the new exhibition at the Holburne of Rembrandt and his Contemporaries: Paintings from the Royal Collection’.

It’s hoped this new weekly walk will introduce visitors to a part of Bath that the Corps doesn’t have time to cover on its daily walking tours.

Kennet and Avon Canal running through Sydney Gardens

Kennet and Avon Canal running through Sydney Gardens

Booking is only required for groups of 12 or more. There is more information about all the walks on the Corps web-site. That’s www.bathguides.org.uk

 

 

 

Making a ‘cheese’ of Bath stone

Making a ‘cheese’ of Bath stone

Every year the Mayor of Bath’s Honorary Corps of Guides organises a series of special Summer walks. One such temporary addition will take in Walcot and the Paragon and will be led by Mr Ken Jefferies – who trained me last year!

John Cooper who is the Corps of Guide’s Membership Secretary – and who will be assisting Ken on his walk – has contacted the Virtual Museum with a question.

P1050565‘On the junction of Lansdown and the Paragon are Fountain Buildings. At the first floor level on the Paragon, but lower on Lansdown, are a number of holes drilled in the stonework below  some, but not all, of the windows, The holes have a consistent but strange pattern. Is there any significance in the pattern of holes? Are they for ventilation?’fountain_buildings_holes

John is sure visitors will ask what the significance of the holes is.

Dr Cathryn Spence from Bath Preservation Trust very helpfully put me in contact a man who she thought  must know most about buildings – and especially Bath buildings – and that’s architect David McLaughlin.

True enough – David emailed me with the information which will certainly help Ken and John with their special walks.

‘The holes and their odd pattern,’ he says, ‘ were insisted upon by British Gas (or the equivalent) when the two ranges of Fountain Buildings were repaired and converted to flats by a housing association in order to ventilate gas fires which were placed immediately behind them internally.

P1050564I was Conservation Architect in the city ( and from 1975 – 2005) at the time and tried to argue against them by taking the cross-section area of an individual hole and multiplying it by the number of holes, to give their required area and suggested that if a slot was created immediately under the window cill for the near width of the window – and a small length of mortar in the middle to support the two lengths of the cill – that it would be a dramatic visual improvement rather than the Gruyère effect of the holes.

However, British Gas (or equivalent) would not agree. There was a happier outcome in Cheltenham where my slot suggestion was used by others facing the same dilemma.’

Thank you for that David!